NEW YORK MIINING
DISASTER
By MURAKAMI Haruki
Translated by Philip Gabriel
They blew out their
lamps to save on air, and
darkness surrounded them. No one spoke. All they could hear in the dark was the sound of water
dripping from the ceiling every five seconds.
gO.K., everybody, try not to breathe so much. We donft have enough air left,h an old miner said. He held his voice to a whisper, but even so the wooden beams on the ceiling of the tunnel creaked faintly. In the dark, the miners huddled together, straining to hear one sound. The sound of pickaxes. The sound of life.
They waited for hours. Reality
began to melt away in the
darkness. Everything began to feel as if it were happening a long time ago, in a world far away. Or was it happening in the future, in a different far-off world?
Outside, people were digging a hole, trying to reach them. It was like a scene from a movie.
A friend of mine has a
habit of going to the zoo
whenever therefs a typhoon. Hefs
been doing this for ten years. At a
time when most people are closing their
storm shutters or running our to stock up on mineral water or checking to see if their radios and flashlights are working, my friend wraps himself in an army-surplus poncho from the Vietnam War, stuffs a couple of cans of beer into his pockets, and sets off. He lives about a fifteen-minute walk away.
If hefs unlucky, the zoo is closed, gowing to inclement weather,h and its gates are locked. When this happens, my friend sits down on the stone statue of a squirrel next to the entrance, drinks his lukewarm beer, and then heads back home.
But when he makes it there in time he pays the entrance fee, lights a soggy cigarette, and surveys the animals, one by one. Most of them have retreated their shelters. Some stare blankly
at the rain. Others are
more animated, jumping around in the gale-force winds.
Some are frightened by the sudden drop in barometric pressure; others turn vicious.
My friend makes a point of drinking his first beer in front of the Bengal tiger cage. (Bengal tigers always react the most violently to storms.) He drinks his second one outside the gorilla cage. Most of the time the gorillas arenft the least bit disturbed by the typhoon. They stare at him calmly as he sits like a mermaid on
the concrete floor sipping his beer, and youfd
swear they actually felt sorry for him.
gItfs like being in an elevator when it breaks down and youfre trapped inside with strangers,h my friend tells me.
Typhoons aside, my
friendfs no different from anyone else. He works for an export company, managing foreign investments. Itfs not one of the
better firms, but it does well enough. He lives alone in a neat little apartment and gets a new girlfriend every six months. Why he insists on
having a new one every six months
(and itfs always exactly six months) Ifll
never understand. The girls all look the
same, as if they were perfect clones of
one another. I canft tell them apart.
My friend owns a nice used car, the collected works of Balzac, and a black suit, a black tie, and black shoes that are perfect for attending funerals. Every time someone dies, I call him and ask if I can borrow them, even though the suit and the shoes are one size too big for me.
gSorry to bother you again,h I said the last time I called. gAnother funeralfs come up.
gHelp yourself. You must be in a hurry,h he answered. gWhy donft you come over right away?h
When I arrived, the suit and tie were laid out on the table, neatly pressed, the shoes were polished, and the fridge was full of cold imported beer. Thatfs the kind of guy he is.
gThe other day I saw a cat at the zoo,h he said, opening a beer.
gA cat?h
gYeah, two weeks ago. I was in Hokkaido on business and dropped by a zoo near my hotel. There was a cat asleep in a cage with a sign that said eCat.f
g
gWhat kind of cat?h
gJust an ordinary one. Brown stripes, short tail. And unbelievably fat. It just plopped down on its side and lay there.h
gMaybe cats arenft so common in Hokkaido.h
gYoufre kidding, right?h he asked, astonished. gThere must be cats in
Hokkaido. They canft be that unusual.h
gWell, look at it another way: why shouldnft there be cats in a zoo?h I said.
gTheyfre animals, too, right?h
gCats and dogs are your run-of-the-mill-type animals. Nobodyfs going to pay money to see them,h he said. gJust look around you-theyfre everywhere. Same thing with people.h
When wefd finished off a six-pack, I put the suit and tie and shoebox into a large paper bag.
gSorry to keep doing this to you,h I said. gI know I should buy my own suit, but somehow I never get around to it. I feel like if I buy funeral clothes Ifm saying itfs O.K. if somebody
dies.h
gItfs no problem,h he said. gIfm not using them anyway. Itfs better to have someone use them than to have them hanging in the closet, right?h
It was true that in the three years since hefd had the suit made hefd hardly worn it.
gItfs weird, but since I got the suit nor a single person I know has died,h he explained.
gThatfs the way it goes.h
gYes, thatfs the way it goes,h he said.
For me, on the other
hand, it was the Year of
Funerals. Friends and former friends
died one after another, like ears of corn
withering in a drought. I was
twenty-eight. My friends were all
about
the same age—twenty-seven,
twenty-eight,
twenty-nine. Not the right age to die.
A poet dies at twenty-one, a revolutionary or a rock star at
twenty-four. But after that you
assume that everything is going to be all right. Youfve made it past Dead Manfs Curve and youfre out of the tunnel, cruising straight for your destination down a six-lane highway-whether you want to be or not. You get your hair cut; you shave every morning. You arenft a poet anymore, or a
revolutionary or a rock star. You donft pass out
drunk in phone booths or blast
the Doors at four in the morning. Instead,
you buy life insurance from your friendfs
company, drink in hotel bars, and
keep your dental bills for medical
deductions. Thatfs normal at twenty-eight.
But that was exactly when the unexpected massacre started in our lives.
It was like a
surprise attack on a lazy spring
day—as if someone, on top of a metaphysical hill, holding
a metaphysical machine gun, had
sprayed us with bullets. One minute we were changing our clothes, and the next minute they didnft fit anymore: the sleeves were inside out, and we had one leg in one pair of pants and the other in a different pair. It was a mess.
But death is just that. A rabbit is a rabbit whether it springs out of a hat or a wheat field. A hot oven is a hot oven, and the black smoke rising from a chimney is what it is—black
smoke
rising from a chimney.
The first person to straddle the divide between reality and unreality
(or unreality and
reality) was a friend from college who taught
English at a junior-high school. Hefd
been married for three years, and
his wife had gone back to her parentsf
house in Shikoku to have their baby.
One unusually warm Sunday afternoon in January,
he went to a department store and bought two cans of shaving cream and a German-made knife that was big enough to lop off an elephantfs ear. He went home and ran a bath. He got some ice from the refrigerator, downed a bottle of Scotch, climbed into the tub, and slit his wrists. His mother found his body two days later. The police came and took a lot of photographs. Blood had dyed the bath the color of tomato juice. The police ruled it a suicide. After all, the doors had been locked, and, of course, the deceased had
bought the knife himself. But why did he buy
two cans of shaving cream that he
didnft plan to use? No one knew.
Maybe it hadnft hit him when he was at the department store that in a couple of hours hefd be dead. Or maybe he was afraid that the cashier would guess that he was going to kill himself.
He didnft leave a will or a note. On the kitchen table there was only a glass, the empty whiskey bottle and ice bowl, and the two cans of shaving cream. While he was waiting for the bath to fill, knocking back glass after glass of Haig-on-the-rocks, he must have stared at those cans and thought something along the lines of Ifll
never
have to shave again.
A manfs death at twenty-eight is as sad as the winter rain.
During the next twelve
months, four more people
died.
One died in March in an incident at an oil field in Saudi Arabia or Kuwait, and two died in June—a heart attack and a traffic accident. From July to November there was peace, but then
in December another
friend died, also in a car crash.
Unlike my first friend, whofd killed himself, these friends never had time to realize that they were dying. For them it was like climbing up a staircase theyfd climbed a million times before and suddenly finding a step missing.
gWould you make up the bed for me?h the friend who died of a heart attack had asked his wife. He was a
furniture designer. It was eleven ofclock in the morning. Hefd woken up at nine, worked for a while in his room, and then said he felt sleepy. He went to the kitchen, made some coffee, and drank it. But the coffee didnft help. gI think Ifll take a nap,h he said. gI hear a buzzing sound in the back of my
head.h Those were his
last words. He curled up in bed, went to
sleep, and never woke up again.
The friend who died in December was the youngest, and the only woman. She was twenty-four, like a revolutionary or a rock star. One cold rainy evening just before Christmas, she was flattened in the tragic yet quite ordinary space between a beer-delivery truck and a concrete telephone pole.
A few days after the
last funeral, I went to my
friendfs apartment to return the suit,
which Ifd picked up from the dry
cleanerfs, and to give him a bottle of whiskey
to thank him.
gMuch obliged. Youfve helped me out once again,h I said.
As usual, his fridge was full of cold beer, and his comfortable sofa reflected a faint ray of sunlight. On the coffee table there was a clean ashtray and a pot of Christmas poinsettias.
He accepted the suit, in its plastic covering, his movements leisurely—like those of a bear just coming our of hibernation—and quietly put it away.
gI hope the suit doesnft smell like a funeral,h I said.
gClothes arenft important. The real problem is whatfs inside them.h
gUm,h I said.
gOne funeral after another for you this year,h he said, stretching out on the sofa and pouring beer into a glass. gHow many all together?h
gFive,h I said,
spreading out the fingers of my left hand.
gBut I think thatfs got to be it.h
gAre you sure?h
gEnough people have died.h
gItfs like the curse of the Pyramids or something,h he said. gI remember reading that somewhere. The curse
continues until enough people have died. Or else a red star appears in the sky and the moonfs shadow covers the sun.
After we finished a six-pack, we started on the whiskey. The winter sunlight sloped gently into the room.
gYou look a little glum these days,h he said.
gReally?h I said.
gYou must be thinking about things too much in the middle of the night,h he said. gIfve stopped thinking about things at night.h
gHowfd you manage that?h
gWhen I get depressed, I start to clean. Even if itfs two or three in the morning. I wash the dishes, wipe off the stove, mop the floor, bleach the dish towels, organize my desk drawers, iron every shirt in sight,h he said, stirring his drink with his finger. gI do that till Ifm exhausted, then I have a drink and go to sleep. In the morning I get up and by the time Ifm putting on my socks I canft even remember what it was I was thinking about.h
I looked around again. As always, the room was clean and orderly.
gPeople think of all kinds of things at three in the morning. We all do. Thatfs why we each have to figure out our own way of fighting it offh
gYoufre probably right,h I said.
gEven animals think things over at 3 A.M.,h he said, as if he were remembering something. gHave you ever
gone to a zoo at 3
A.M.?h
gNo,h I answered vaguely. gNo, of course not.h
gIfve only done it once. A friend of mine works at a zoo, and I asked him to let me in when he had the night shift. Youfre not supposed to, really.h He shook his glass. gIt was a strange experience. I canft explain it, but I
felt as if the ground had
silently split open and something was
crawling up out of it. And then
there was this invisible thing on a rampage in the dark. It was as if the cold night air had coagulated. I
couldnft see it, but I felt it, and
the
animals felt it, too. It made me
think
about the fact that the ground we walk on goes
all the way to the earthfs core, and
I suddenly realized that the core has
sucked up an incredible amount of time.h
I didnft say anything.
gAnyway, I never want to go again—to the zoo in the middle of the night, I mean.h
gYou prefer a typhoon?h
gYeah,h he said. gIfll take a typhoon any day.h
The phone rang and he
went to his bedroom to
take the call. It was his girlfriend
clone, with an endless clone phone call. I wanted to tell him I was going to call it a day, but he was on the phone forever. I gave up waiting and switched on the TV. It was a twenty-seven-inch color set with a remote
control, the kind you barely have
to
touch to change the channel. The
TV
had six speakers and great sound.
Ifd
never seen such a wonderful TV.
I made two complete rounds of the channels before settling on a news program. A border clash, a fire,
exchange rates going up and
down, a new limit on car imports, an
outdoor winter swim meet, a family
suicide. All these bits of news seemed
somehow connected, like people in a
high-school-graduation photo.
gAny interesting news?h my friend asked as he came back into the room.
gNot really,h I said.
gDo you watch a lot of TV?h
I shook my head. gI donft have a TV.h
gTherefs at least one good thing about TV,h he said after a while. gYou can shut it off whenever you like. And nobody complains.h
He pushed the gOffh button on the remote control. Immediately, the screen went blank. The room was still. Outside the window, lights in other
buildings were starting to come on.
We sat there for five minutes, drinking whiskey, with nothing to talk
about. The telephone rang
again, but he pretended not to hear it. Just as the phone stopped ringing, he hit the gOnh button, as if hefd
suddenly remembered something. The
picture returned instantly, and a commentator standing in front of a graph gestured with a pointer as he explained changes in the price of oil.
gSee? He didnft even notice that wefd switched him off for five minutes.h
gTrue enough,h I said.
gWhy is that?h
It was too much trouble to think it through, so I shook my head.
gWhen you switch it off, one side ceases to exist. Itfs us or him. You just hit the switch and therefs a communications blackout. Itfs easy.h
gThatfs one way of thinking of it,h I said.
gThere are millions of ways of thinking. In India they grow coconut
trees. In Argentina it rains
political prisoners from helicopters.h
He switched the TV off again. gI
donft want to say anything about other
people,h he said, gbut consider the fact that there are ways of dying that donft end in funerals. Types of death you canft smell.h
I nodded silently. I felt that I knew what he was getting at. At the same time, I felt that I had no idea what he meant. I was tired and a bit confused. I sat there, fingering one of the poinsettiafs green leaves.
gIfve got some champagne,h he said earnestly. gI brought it back from a business trip to France a while
ago. I donft know much about
champagne, but this is supposed to be
great. Would you like some?
Champagne might be just the thing after a
string of funerals.h
He brought out the chilled champagne bottle and two clean glasses and set them quietly on the table, then smiled slyly. gChampagnefs completely useless,
you know,h he said. gThe only good
part is the moment you pop the cork.h
gI canft argue with you there,h I said.
We popped the cork, and talked for a while about zoo in Paris and the animals that live there. The champagne was excellent.
There was a party at
the end of the year, an
annual New Yearfs Eve party at a bar
in Roppongi, which had been rented
for the occasion. A piano trio played,
and there was a lot of good food and
drink. When I ran across someone I
knew, Ifd chat for a while. My job
required that I put in an appearance every
year. Parties arenft my thing, but this
one was easy to take. I had
nothing else to do on New Yearfs Eve and
could just stand by myself in a
corner, relax, have a drink, and enjoy the
music. No obnoxious people, no need to
be introduced to strangers and
listen to them rant for half an hour about
how a vegetarian diet cures cancer.
But that evening someone introduced me to a woman. After the usual small talk, I tried to retreat to my corner again. But the woman followed me back to my seat, whiskey glass in hand.
gI asked to be introduced to you,h she said amiably.
She wasnft the type to turn heads, though she was certainly attractive. She was wearing an expensive green silk dress. I guessed that she was about thirty-two. She could easily have made herself look younger, but she didnft seem to think it was
worth
the trouble. Three rings graced her
fingers, and a faint smile played on
her lips.
gYou look exactly like someone I know,h she said. gYour facial features,
your back, the way you talk, the
over-all mood—itfs an amazing
likeness. Ifve been watching you
ever since you came in.
gIf hefs that much like me,
Ifd
like to meet the guy,h I said. I had no idea what
else to say.
gYou would?h
gIfd want to see what it feels like to meet someone whofs exactly like me.h
Her smile deepened for an
instant,
then softened. gBut itfs impossible,h she
said. gHe died five years ago.
When he was about the same age
you are now.
gIs that right?h I said.
gI killed him.h
The trio was just finishing
its
second set, and there was a smattering of
halfhearted applause.
gDo you like music?h she asked me.
gI do if itfs nice music in a nice world,h I said.
gIn a nice world there is no
nice music,h
she said, as if she were telling some vital
secret. gIn a nice world the air doesnft
vibrate.h
gI see,h I said, not knowing how to respond.
gHave you seen the movie where Warren Beatty plays the piano in a night club?h
gNo, I havenft.h
gElizabeth Taylor is one of the customers at the club, and shefs really
poor and miserable.h
gHmm.h
gSo Warren Beatty asks Elizabeth Taylor if she has any requests.h
gAnd does she?h
gI forget. Itfs a really old movie.h Her rings sparkled as she drank her whiskey. gI hate requests. They make me feel unhappy. Itfs like when I take a book out of the library. As soon as I start to read it, all I can think about is when Ifll finish it.h
She put a cigarette between her lips. I struck a match and lit it for her.
gLetfs see,h she said. gWe were talking about the person who looked like you.h
gHow did you kill him?h
gI threw him into a beehive.h
gYoufre kidding, right?h
gYes,h she said.
Instead of sighing, I took a sip of whiskey. The ice had melted and it barely tasted like whiskey anymore.
gOf course, legally Ifm not a murderer,h she said. gOr morally, either.h
gNeither legally nor morally a murderer.h I didnft want to, but I
reviewed the points shefd
made. gBut you did kill someone?h
gRight.h She nodded happily gSomeone who looked just like you.h
Across the room a man let out a loud laugh. And the people around him laughed, too. Glasses clinked. It sounded very far away but extremely clear. I donft know why, but my heart was pounding, as if it were expanding or moving up
and down. I felt as if I were walking on
earth that was floating on water.
gIt took less than five seconds,h she said. gTo kill him.h
We were silent for a while. She was taking her time, savoring the silence.
gDo you ever think about freedom?h she asked.
gSometimes,h I said. gWhy do you ask?h
gCan you draw a daisy?h
gI think so. Is this a personality test?h
gAlmost.h She laughed.
gWell, did I pass?h
gYesh she answered. gYoufll be fine. Nothing to worry about. Intuition tells me youfll live a good long life.h
gThank you,h I said.
The band began playing eAuld Lang Syne.h
gEleven-fifty-five,h she said, glancing at the gold watch on her
pendant. gI really like eAuld Lang Syne.f How about you?h
gI prefer eHome on the Range.f All those deer and antelope.h
She smiled again. gYou must like animals.h
gI do,h I said. And I thought of my friend who likes zoos and of his funeral suit.
gI enjoyed talking to you. Goodbye.h
gGoodbye,h I said.