 | 映画原題: The Matrix [ 映画邦題: マトリックス ] |  | |  |  | |  | The Matrix : Hollywood Cinema Director : シネマ作品監督紹介 |
 | The Matrix : Hollywood Actor [CAST・CREW] : 出演ハリウッド俳優(男優・女優・声優)&ミュージシャン・アーティスト紹介 |
 | The Matrix : 本国映画ライターによる映画の内容 with イングリッシュ : English Description of Story |  |  |  |  | Amazon.com essential video:By following up their debut thriller Bound with the 1999 box-office smash The Matrix, the codirecting Wachowski brothers--Andy and Larry--annihilated any suggestion of a sophomore jinx, crafting one of the most exhilarating sci-fi/action movies of the 1990s. Set in the not too distant future in an insipid, characterless city, we find a young man named Neo (Keanu Reeves). A software techie by day and a computer hacker by night, he sits alone at home by his monitor, waiting for a sign, a signal--from what or whom he doesn't know--until one night, a mysterious woman named Trinity (Carrie-Anne Moss) seeks him out and introduces him to that faceless character he has been waiting for: Morpheus (Laurence Fishburne). A messiah of sorts, Morpheus presents Neo with the truth about his world by shedding light on the dark secrets that have troubled him for so long: "You've felt it your entire life, that there's something wrong with the world. You don't know what it is, but it's there, like a splinter in your mind, driving you mad." Ultimately, Morpheus illustrates to Neo what the Matrix is--a reality beyond reality that controls all of their lives, in a way that Neo can barely comprehend. Neo thus embarks on an adventure that is both terrifying and enthralling. Pitted against an enemy that transcends human concepts of evil, Morpheus and his team must train Neo to believe that he is the chosen champion of their fight. With mind-boggling, technically innovative special effects and a thought-provoking script that owes a debt of inspiration to the legacy of cyberpunk fiction, this is much more than an out-and-out action yarn; it's a thinking man's journey into the realm of futuristic fantasy, a dreamscape full of eye candy that will satisfy sci-fi, kung fu, action, and adventure fans alike. Although the film is headlined by Reeves and Fishburne--who both turn in fine performances--much of the fun and excitement should be attributed to Moss, who flawlessly mixes vulnerability with immense strength, making other contemporary female heroines look timid by comparison. And if we were going to cast a vote for most dastardly movie villain of 1999, it would have to go to Hugo Weaving, who plays the feckless, semipsychotic Agent Smith with panache and edginess. As the film's box-office profits soared, the Wachowski brothers announced that The Matrix is merely the first chapter in a cinematically dazzling franchise--a chapter that is arguably superior to the other sci-fi smash of 1999 (you know... the one starring Jar Jar Binks). --Jeremy Storey |  |  |  |  | | | |
 | The Matrix : 現地ハリウッド市民の評価 : 英語批評版 : Native Evaluation |  |  |  |  | Another lame math movie / 2005-12-17
Why does the movie industry find this stuff so appealing. blah blah blah formulas blah blah blah denominators blah blah blah variables blah blah blah matrixies. NO MORE MATH MOVIES OK?? |  |  |  |  | | | |  |  |  |  | The Red Pill or the Blue? / 2005-12-07
Keanu Reeves plays Neo Anderson (a name which means "new man"). Is he living "for real"? Or is he caught up in a computer program that dictates his reality? He has a choice between the blue pill or the red pill: will Neo "wake up" to the truth despite the possibility that it will shatter reality as he knows it? Or will he choose to remain asleep and oblivious? This is an overtly New Age theme: will humanity evolve past illusion and conditioned responses? Other fascinating mystical themes include the nature of reality and truth, Biblical themes such as Messianic salvation, spiritual re-birth, and resurrection. Replete with major eye-candy and stunning fight scenes, this is a movie heavy on the symbolic--especially concerning the names. (Trinity, Zion, Neo Anderson, Morpheous, etc.) This is one movie that never gets old! |  |  |  |  | | | |  |  |  |  | Take the red pill, and 'see' the Matrix for yourself! / 2005-12-02
"No one can be told what the matrix is. You have to see it yourself," exclaims Morpheus. Indeed, you have to see it. Suggest that the DVD itself is the red-pill; by purchasing this, you are gulping down that red pill with an icy cup of water and you are tumbling down into the computerized rabbit hole, the Matrix. Ultimately, you get to join the unbelievable quest of Neo once again, dodging bullets, doing Kung fu kicks and finally, wearing a good-looking outfit and a cool pair of sunglasses. The movie The Matrix, created by the Wachowski brothers Andy and Larry, is one of the best science fiction movies out there. While other sci-fi movies are filled with cute beeping sounds of robots and zaps of laser guns which have been repeated so much that it is almost disgusting, this movie decides to portrays a closer, a more plausible reality, a reality where humans are defeated by A.I (artificial intelligence) and are trapped unknowingly in a virtual reality named Matrix. It is a feast to the eyes with its impressive graphics including the ever so popular `Bullet-time", while it also manages to grasp the audience with a very philosophic and religious tale about a Messiah of computer programs. The story begins with the introduction of Thomas Anderson (Keanu Reeves), who lives a striking double-life; at morning he stays as the typical Mr. Anderson and works for MetaCortex, a major software company. At night, he prefers being Neo, a hacker selling illegal programs. However, he is taken custody by Agent Smith, a guardian program of the Matrix who sees Neo as a potential threat to the system. Fortunately, Neo is saved from his clasps by a band of rebels including Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss), who frequently wreck havoc in the Matrix system by hacking into it. From them, he realizes that the world around him actually is a computer program made by A.I robots to keep humans imprisoned in a dreamland, while their bodies are used as a means of energy sources. Neo also learns that it is he who will presumably be the One, an almighty figure powerful enough to destroy the Matrix itself. Thus begins Neo's path to brighten reality, but things get wobbly right from the beginning; there is a traitor in the midst. The Matrix is compact of greatly improved actors. Keanu Reeves, the rookie star of the action-movie "Speed", is done with stopping bus explosions set up by a madman. Instead, he now faces a much bigger, heavier burden; he has to rescue the whole humanity! As I watched the movie, I could not hide my amazement; Reeves seemed to have matured considerably, confronting such a humongous task of being the One. His acting of utter shock and awe as he first learns of the Matrix is thoroughly realistic; I just wondered how I would have reacted, seeing Reeves muttering "No!" and then falling to the ground, spinning around in shock. Carrie-Anne Moss also does a great job; she depicted Trinity's character successfully. It's interesting to see a bit of a contrast between Trinity of the real and the virtual; a soft, sincere and caring woman turns into a fiery combat machine! My heart thrilled when she said, "Dodge this," shooting Agent Smith right on the head. Laurence Fishburne, as the leader of the rebels Morpheus, creates a sense of authority and acts a spiritual supporter of Neo. His gentle conversations of Neo are filled with confidence, and his voice creates a tranquilizing effect when there is great danger ahead; that is what he has his name for. Lastly, oh, I can never forget him, Hugo Weaving! He does an unbelievable job being Agent Smith, whose goal is ever so simple; to eradicate the One. "I hate their smell!" He cries out to Morpheus, showing his terrible dislike for humans. He is the perfect rival against Neo, also armed with a snappy suit and the strangely cruel smile of his. Also, one cannot easily go over the cinematography of the movie. The Wachowski brothers certainly make us open our mouths at the right beginning. When Trinity faces a mean-looking policeman (who is luckily not an agent), she evades his gunshots by walking sides along the wall and then leaps right infront of him. Just at this moment, time stops, and the scene is rotated 360 degrees in slow motion. And as the rotation stops, Trinity delivers a fatal kick at the policeman's head. The whole progress of this single action scene is so slow, so simple yet so beautiful. Such beauty is shown again at the scene where Neo manages to `dodge' the bullets shot from Agent Smith (Hugo Weaving)'s gun. Again, time freezes and the bullet slowly moves towards Neo, who bends his body backwards to evade the bullets. The cinematography used in this scene is so famous that it even has it's own distinctive name; "Bullet-Time". Ever since this movie, this method has been used by way too many other movies. Finally, I would pick the lobby battle scene as the epitome of the Wachowski brother's skills. Neo and Trinity slowly kill the policemen, doing somersaults and cartwheels, and wasting plenty of bullets, It almost glorifies violence; I didn't feel sorry for all those men being killed. I actually hummed along with the exciting music, hypnotized by such artistic fight sequences. The DVD, apart from such a masterpiece, also features a satisfactory introduction on how the movie was made. It also explains some of the cinematography involved in the movie, especially how `Bullet-time' was created. I was amazed at how the Wachowski brothers arranged at least 60 cameras around Keanu Reeves to create the effect. Despite such greatness, movies after all, are made by humans, not by robots nor the One. The Matrix does have some tiny flaws. While I watched the movie, I just had to admit that the movie was mainly created for the mass population, who are easily lured and fascinated by some tricky graphics or cool action scenes. I had hoped that the movie might focus more on the tone and seriousness of the whole situation (that robots rule the world), rather than concentrate on the video game-like fight scenes. I had hoped that the movie would really pull us into the rabbit hole and emit a strongly philosophical topic, which would permanently stay fixed on one's mind, but when the movie ended, we were forcefully popped out from the hole, and the philosophy evaporated. Though it was a good attempt, The Matrix wasn't able to satisfy people who were really puzzled about the world, whether it is real or not. Watching it is like having a soup that is neither hot nor cold; it is just `it'. Overall, The Matrix is quite an awesome movie. It presented to us a whole knew theory; that the world one is living in might not be the world that another knows, with the help of great actors. In addition, some spectacular action scenes spiced up the movie, thanks to the innovative minds of the Wachowski brother. As the first tale of the Matrix trilogy, this movie has great significance. One would be buying the DVD with the pleasure that he is going to `see' the matrix itself, ensured that he is going to enjoy it. Come on, take the red pill, and `hack' in!
|  |  |  |  | | | |  |  |  |  | The BEST Sci-Fi movie ever, BUT.... / 2005-11-29
...The next two movies absolutely SUCK. I won't cover what the Matrix is about, that has been done to death in other reviews. I will however tell you that I think the Matrix is the BEST sci-fi movie of all time (YES, better than Star Wars). When it hit the big screen in the late 90's to little fanfare, I went to see it. It blew me away. It was, fresh, original, had a staggering concept, good dialogue, great action, even great acting from the normally meatheaded Reeves. It was the total package for a sci-fi movie. When it was announced there would be two more, I waited anxiously...and waited...and waited...after what seemed like an eternity, the next movies hit the big screen... what the $%#!?!?! The next two movies are TERRIBLE, and TOTALLY wreck the magic the first one created. The second movie doesn't even move the story forward, you can jump right to the third one and understand what's going on. The hugely awesome ending to the first one becomes the biggest anti-climax in movie history at the start of #2 too. On top of all of this, #3 is completely unsatisfying, and leaves you wondering why you wasted those extra hours of your life. I wrote this review to warn everyone who hasn't seen these movies to watch the first one but DON'T WATCH THE OTHER TWO!!! ....ok, ok, I know you will anyway, but remember: you have been warned. On a side note, the first movie stands alone perfectly as a complete story. The other two aren't necessary at all, but watch them if you wish. I only watch the first one now and am much happier to pretend the other two don't exist. |  |  |  |  | | | |  |  |  |  | Classic... / 2005-11-20
If there has to be a quint- essential film for the end of the millennium, this is it. I've never seen a movie that blended so exhilaratingly high-concept science- fiction, nerve pounding action and philosophical allegory, a movie in which content and style are so in synch. Keanu Reeves (surprisingly cool in Jet Li mode) stars as Thomas Anderson, a mild-mannered software programmer who moonlights as an expert hacker under the name of Neo. His existence is about to change drastically when he's contacted by a mysterious group of rebels led by Morpheus (Laurence Fishburne, impeccable), who believes that Neo is the chosen one and is determined to prepare him to face his destiny : freeing the human race from the Matrix. Unfortunately, no one can be told what the Matrix is; you have to see it for yourself. Besides, I don't want to spoil one of the film's pleasures, which is to gradually discover the truth at the same time as Neo. I'll just say it has something to do with the world as we know it being just an illusion created by an empire of intelligent machines where a small Resistance struggle to defeat the deadly Agents. The film was written and directed by Larry and Andy Wachowski, whose sexy, stylish film noir "Bound" was an extremely promising debut. I was really looking forward to see what they would do with some real money, and man was I not disappointed. Their sophomore effort is unique, ambitious and thought-provoking. The plot is very interesting: it's an exploration of how much we can or can not trust what our minds sense as reality. The film's nightmarish theory is that what we call reality is actually some kind of computer enhanced virtual reality. Therefore, it is possible to bend or break the rules we take for granted, gravity for instance. That's what Neo, Morpheus and their crew (which include Carrie-Anne Moss as a tough babe and Joe Pantoliano as a shady lad) are set to do, and so are the Wachowski brothers. With plenty of imagination ant the first-rate SFX to support it, they crafted one of the most visually stunning films ever. What's amazing is that all the nifty visual tricks they use never feel forced or show-offy: it always feels natural within the film's universe. I also love the idea that the characters are able to download knowledge unto their brains. The Wachowski had the particularly brilliant brainchild to have their heroes use this technique to turn themselves into experts at jiu-jitsu, kung fu, tae kwan do, kempo and even drunken boxing! This leads to some of the most out-of-this-world fights this side of Hong Kong (the fights were actually choreographed by HK legend Yuen Wo Ping). This is in part what makes "The Matrix" so special. Unlike most high-concept sci-fi (like last year's "Dark City"), it is not only visionary and intelligent but also as action packed as any Aliens or Blade. It's the kind of movie that never stops surprising you. In a way, "The Matrix" is about the magic of cinema itself, about how filmmakers like the Wachowski bros simulate reality and have the power to bend its rules to fit their vision. |  |  |  |  | | | |  |  | | |