 | 映画原題: The Upside of Anger [ 映画邦題: アップサイド・オブ・アンガー] |  | | |  |  |  |  |
アップサイド・オブ・アンガー:2006年 ロードショー:The Upside of Anger Roadshow 
夫に失踪され、四人の娘たちを一人で支えなくてはならなくなった中年女性、ジョアン。
彼女は自分を捨てていった夫にも、常に家庭に問題を持ち込んでくる娘達にも腹をたて、
不満を抱えていた。
しかし、夫の友人だったある一人の男の存在が、彼女の頑固な心をほぐし、
再び家族を結び付けてゆく。(GAGA USEN:BRAND NEW LINE UP)
|  |  |  |  | | | |  |  | |  | The Upside of Anger : Hollywood Cinema Director : シネマ作品監督紹介 |  | The Upside of Anger : Hollywood Actor [CAST・CREW] : 出演ハリウッド俳優(男優・女優・声優)&ミュージシャン・アーティスト紹介 |  | The Upside of Anger : 本国映画ライターによる映画の内容 with イングリッシュ : English Description of Story |  |  |  |  | Amazon.com:The sight of two lost souls finding something unavoidably necessary in each other carries The Upside of Anger through it pleasant episodic drift. When Terry Wolfmeyer (Joan Allen) realizes that her husband won't be coming home again, she hits the skids and the bottle, leaving her four thunderstruck daughters (Alicia Witt, Keri Russell, Erika Christensen, and Evan Rachel Wood) to fend for themselves while she fends off the attentions of concerned neighbor Denny Davies (Kevin Costner). Writer/director Mike Binder (who has a good bit as Costner's sleazy producer) juggles too many subplots in this comedy/drama--his charming young actresses are all but wasted--then tosses in a wrongheaded climactic twist and terrible explanatory narration from young Wood. But the two leads do career-best turns: If you've given up hope on Costner, you'll be surprised by his shaggy dog appeal as a perpetually soused radio show host/faded ex-baseball star, while Allen's boozy, brittle performance is so remarkable that even her comic drunkenness is nuanced. --Steve Wiecking |  |  |  |  | | | |
 | The Upside of Anger : 現地ハリウッド市民の評価 : 英語批評版 : Native Evaluation |  |  |  |  | Anger and Resentment Can Stop You in Your Tracks / 2005-12-12
It is understandable that any woman would go off the deep end after thinking that her husband ran off with his Swedish secretary back to her home country. Added on top of it being stuck in a house with four daughters with issues of there own and the only option for a rebound is a washed up ex-baseball player who refuses to talk baseball and enjoys his alcohol and other recreational drugs doesn't help. Joan Allen breaks out of the supporting mom role to take the liquored-up lead of The Upside of Anger. As for the washed-up baseball player, that of course is played by Kevin Costner as he has some contract that states he always gets first crack at all baseball character. As for the daughters, they are played by the hot chick from Swimfan, the hot chick from Felicity, the formally hot chick from Urban Legend, and the hot chick from Green Day's Wake Me up When September Ends video who has officially taken over Christina Ricci's spot as the go-to indie teen. The acting itself is as good as you would expect from the actor listed above except with four daughters to share screen time, none of them are able to shine as much as they have in past endeavors. Most wasted was Evan Rachel Wood as the laid back daughter who starts the film off as the narrator that goes away until the end of the film. In the middle she was stuck in a very predictable storyline, the most boring of the four, not too mention the unfortunate nickname Popeye, which was never explained unless I completely missed it. The other storylines do hold up better to the point that the poor plot twist at the end doesn't ruin the whole movie. |  |  |  |  | | | |  |  |  |  | The 'Upside of Anger' Is That It Does Not Disappoint / 2005-12-07
In many ways this is a predictable movie and is somewhat cliche'-ridden, but there are enough redeeming qualities throughout that make this film worthwhile. Joan Allen is a great actress and never disappoints, especially in this film. Kevin Costner is kind of surprising, not necessarily in the character he portrays, an ex-pro baseball player, which isn't exactly a stretch for him since he's done a few similar roles before, but what's really different about it is how he approaches this retired, burned out, introspective middle-aged man. I enjoyed the film because it's a very humanistic story, and I felt that Costner was drawing from personal experience in his portrayal which is probably why it was so believable. Joan Allen on the other hand is also very real, flesh and blood, desperate woman going through a flood of emotions after she believes her husband ran off with his Swedish secretary to Sweden, and she's left to pick up the pieces along with their four daughters. Her family is affluent of upper pedigree, well-mannered and sophisticated but of course that kind of becomes a facade that crashes down all around her as her young daughters rebel in their own ways, perhaps blaming their mom on a subconscious level for their dad leaving them. The daughters could have been further developed and were left slightly two-dimensional, but that was because the story focused mostly on the relationship between the angry, grieving mom and her rushed love affair with the radio DJ, ex-baseball pro. Joan Allen's character finds solace in him because for one he's there as a trusting, friendly and witty neighbor who gradually wins over the hearts of her daughters, but also because he's just a good guy, he's the calm in her storm and helps bring some rationale to her chaotic existence. The radio DJ takes on the role of a surrogate father but also as the "cool adult", which helps win over the heart of the mom. Despite the focus on the relationship between Costner and Allen, the audience gets to know the youngest daughter fairly well, as well as the second oldest. The youngest sibling is a bit of a paradox, she's constantly dismissed as an ignorant and inexperienced child but ends up displaying incredible maturity and wisdom by the end of the film. The 2nd oldest is misunderstood and doesn't get the respect she deserves from her mom because she studied interpretive dancing, an art form her mom doesn't understand, therefore doesn't respect. There's an important lesson to be learned there by not only the mother, but also people who watch the film, which is that there is more to life to be appreciated than what is within the limited scope of an individual's experiences, and even though this film might not delve too deeply into this concept, it deals with it in a respectful and moving manner that makes one think twice about things we might be unfamiliar with or not fully understand, and might end up appreciating once exposed to the beauty one facet of the human experience. Most of the cliche'd moments occur at the dinner table and involve stereotypical moments between the mom and daughters, and the in-jokes that they laugh at, which is kind of a standard for films like this, but it doesn't really hurt the film too much. I suppose it would have been more effective had the audience gotten to know all 4 girls as well as the mom. There are several sub-plots that happen simultaneously, but they aren't quite as important and serve more as a distraction than an exploration of this family's troubles of coping with a broken home. Several moments of genuine joy and sadness make this movie a soulful, moving experience and has one of the best endings I've seen in a movie. I fully recommend this film to anyone, and even though this type of film is considered to be a chick flick by most, don't let that scare you away, because it's worth watching and just might give people a better view of one's own family or even others and how perfect a family may seem, everybody has their problems, so it definitely promotes tolerance and understanding, and that's never a bad thing. There are a few surprises in the film that are quite clever. Overall a solid film and a refreshing change of pace from most Hollywood fare. |  |  |  |  | | | |  |  |  |  | The upside of tedium / 2005-12-01
It was nice to kind of like Kevin Costner again for a change, but could this movie have possibly been any less interesting? |  |  |  |  | | | |  |  |  |  | Kevin Coster saves this movie. / 2005-11-26
Which is surprising, given his recent film work. His performance is the only thing that keeps this movie afloat, and even WITH his performance, it's a mess. Joan Allen's performance seems phoned-in at best. Those who've seen this lady in action know what to expect. Her anger/despair thing feels very superficial and seem to exist only at the surface. Meanwhile her daughters are a total enigma. Their characters are given one or two notes and nothing more. The information we get about them is doled out in unfinished bits and incredibly boring pieces. It was unclear even at the end of the movie exactly what the age line-up was for the girls. We knew the oldest & the youngest, but that was it. (The fact that Keri Russell is actually OLDER than the actress playing the oldest girl didn't help things there.) It was also unclear what their real feelings towards their parents' situation really was and the passage of time didn't seem to have much of an effect on what was going on in most of their lives. The events of the movie supposedly take place over three years, but in the end that didn't make a great deal of sense in the context of things. It was also unclear why one of the girls was actually named "Popeye." The movie begins with what has to be hands down the WORST movie voice-over of ALL TIME. It's hideously written and delivered very poorly by Evan Rachel Wood -- an actress I frankly expected more from, given her stellar performance in "Thirteen" a couple of years ago. Alas, the fault in this movie lies mostly in the material. Writer/Director/Co-Star Mike Binder clearly stretched himself too thin on this one, and the script has the feel and sound, plot holes and hideously pointless ending of a first draft. Which is a shame, because with such a great cast, this movie really could have been a contenter. Both the stars are for Costner's perormance. As the only actor able to rise above the material and give it life throughout the entire movie, he's the one reason to watch. |  |  |  |  | | | |  |  |  |  | Not Just Another Chick Flick / 2005-11-21
A middle aged woman (Joan Allen) with four daughters thinks her husband has run off with his Swedish secretary. She's a little angry. She's angry at him, the secretary, her daughters, the neighbour and just about anyone who breaths in her direction. In walks radio commenter Denny (Kevin Costner). He's a retired, alcoholic, baseball player with his own demons and quirks, like having a supply of baseballs in storage for when he's in the mood to autograph. Usually when he's drunk Together they spend a lot of time drinking. He enjoys the noise of her family and the smell of her kitchen; so much so he lets her walk all over him. Joan's voice is quite threatening but he takes everything she says with a grain of salt and lets her have her space. This movie is surprising funny with a few touching moments. Joan Allen plays a vicious character. Her and Kevin have an enjoyable and believable chemistry. There was a fantasy scene where Joan thinks about someone's head exploding that seemed more like a regression into an Alley McBeal episode but overall it's an enjoyable film with more than one surprise in its storyline. It's not just another chick flick. Review written by M. E. Wood. |  |  |  |  | | | |  |  | | |